Atlantic — 1317
The original 1959 Atlantic mono/stereo pressing is prized for its natural, open sound and is considered the reference by most collectors despite surface noise on well-played copies.

The Shape of Jazz to Come was recorded at the Atlantic Records studio in New York on March 6 and March 22, 1959, with producer Nesuhi Ertegun overseeing the sessions. The album featured Ornette Coleman's revolutionary alto saxophone alongside Don Cherry on pocket trumpet, Charlie Haden on bass, and Billy Higgins on drums, a quartet that pioneered free jazz. The recording was made in a relatively straightforward manner for the time, capturing the ensemble's innovative harmonic and rhythmic freedom with minimal overdubbing or studio manipulation. The album's stark production and direct sound reflected the avant-garde aesthetic Coleman was developing, with engineer Tom Dowd managing the technical aspects of the sessions. Released in 1959, the album became one of the most influential jazz recordings in history, establishing a new compositional and improvisational approach that moved away from bebop conventions.
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Atlantic — 1317
The original 1959 Atlantic mono/stereo pressing is prized for its natural, open sound and is considered the reference by most collectors despite surface noise on well-played copies.
Atlantic — WPGR-10005
Atlantic — SD 1317 · Speakers Corner — SD-1317
Original Recordings Group — ORGM-1081
Atlantic — 081227880057 · Atlantic — R1 661904 · Vinyl Me, Please. — VMP-C065
Rhino Atlantic — 0603497897070
Rhino Atlantic — 0603497920310
EastWest Japan — AMCY-1171
Atlantic — WPCR-25109
Atlantic — 1317-2
Atlantic — 8122731332
Atlantic — 587022
Jazz Images — 38081
Icon Jazz Series — 3616558531643
Avid Entertainment — 0888003718708
Magnetic Sound Records — 3616554984832
Avid Entertainment — 0888003832411
Efor, S.L — 0885686361962
RevOla — 5055869580113