Mobile Fidelity Sound Lab — UDCD 551
The MFSL gold CD is widely considered a top-tier digital version, celebrated for its natural, detailed sound.

Damn the Torpedoes was recorded in 1979 at the Record Plant in Los Angeles under the production of Shel Talmy, who had previously worked with The Who and The Kinks. The album marked a significant shift toward a more polished, radio-friendly sound compared to the band's earlier work, utilizing advanced studio technology available at the time. Engineer Terry Stafford played a crucial role in capturing the band's performances, helping to refine their rock sound with cleaner production and stronger emphasis on melody. The recording sessions took place during a period when Tom Petty was dealing with contractual disputes with his label, yet the band managed to create one of their most commercially successful and critically acclaimed albums. The album's success helped establish Tom Petty and the Heartbreakers as major figures in rock music during the late 1970s and early 1980s.
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Mobile Fidelity Sound Lab — UDCD 551
The MFSL gold CD is widely considered a top-tier digital version, celebrated for its natural, detailed sound.
Backstreet Records — MCA-5105
2 releases share this master.
MCA Records — 088 112 399-2
MCA Records — 112 399-2
Backstreet Records — B0015004-01 · Geffen Records — B0015004-01 · Original Recordings Group — ORGM-1001
Backstreet Records — MCF 3044
MCA Records — MCAD-5105
MCA Records — 088 112 400-2
Geffen Records — B0014775-59
Geffen Records — UICY-77965
6 releases share this master.
Geffen Records — B0014739-02
Geffen Records — 0602527486345
Geffen Records — B0014883-02
Geffen — 0060254745529
Geffen — 0060254745530
Geffen Records — LCO7266
MCA Records — DMCL 1872 · MCA Records — MCD 01872
MCA Records — MCAD-31161
Geffen Records — 00602547658302